Because: Science
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We’re all in the same game, just different levels
Dealing with the same hell, just different devils -Unknown(?), -Big Dog Status by Jadakiss (?) Because I was trying to write a story about a future time, I thought it might be helpful to do a little research on what scientists predict that our world might become. In a few decades, will we all just sit in lounge chairs 24/7, with our “actions” being exclusively virtual? Given the exponential rate that technology seems to be advancing at, is this not a reasonable assumption? But it’s terribly hard to imagine, and even more difficult to depict. Watch the people in the Star Trek shows fervently pushing buttons as the alarm system screams the red alert. More likely, by that time, they would be working the controls purely by eye movements (the goal that the helmet-mounted cuing systems of helicopter pilots appear to be moving toward) or perhaps with brain impulses (like the implanted electrodes that are beginning to help paraplegics become mobile)… all possibly executed from a great distance, and probably from a lounge chair. How exciting would that be: an entire movie of tense facial expressions? Even what was filmed in the movie Ender’s Game would probably be laughably old technology by Star Trek time. I mean, doesn’t Stark Industries already have that tech, right now? Tony Stark: (referring to S.H.I.E.L.D.’s stationary computer screens) How does Fury even see these? Agent Maria Hill: He turns. The Avengers (2012) The question of how to set a story against the background of a future world has been explored many times by science fiction writers. And the best sci-fi writers have tended to be scientists themselves, like Isaac Asimov, or at least those who have a genuine and consuming interest in the field, like Jules Verne. Jules Verne was not a scientist, but had such an interest in reading about science and of talking with scientists that he was able to take the information they gave him and apply his own imagination to it. Sometimes this had a self-fulfilling prophecy-effect of inspiring the work of future scientists. While reading and researching Jules Verne, I was startled to realize that, in Aldous Huxley’s Brave New World, the ridiculous feelie movie, “Three Weeks in a Helicopter,” might be an ironic reference to Five Weeks in a Balloon: Jules Verne’s first book. One title marked the beginning of a journey of real scientific inspiration, whereas the other is a further installment of stagnant pablum for the brain-dead masses. In other words: what might come about if the alpha scientists kept all the secrets to themselves and stopped writing to inform and inspire the rest of the population.
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